. |
Author:
KIRCHER, Athanisius.
Title: d'Onder-aardse weereld in haar Goddelijk maaksel en wonderbare
uitwerkselen aller dingen;
vervat in II deelen. Waar van dit eerste handeld van het wiskundig
werkstuk des aardkloots in 't
heel-al. De konstige samenstel en schikking der bergen; de krachtige
beweging der zeen en
rivieren; den oorsprong der onderaardse vuuren, winden en fonteinen;
beneffens der selve woedend
vermogen in de tempeesten en aardbevingen; de vremde werkingen der
wateren, baden en meiren; als
mede hoe en op wat wyse de souten, de metallen, de swavels en andere
vruchten binnen d'ingewanden
der aarde, als door een konstigen werkmeester natuurlijk werden voortgebracht.
Het tweede deel;
daar in de wonderbare kracht der werksame natuur in de voortbrenging
der menigerlei schepselen,
en der selver gedurige op en ondergang, in V. boeken naauwkeurig beschreven
wordt. Handelende van
de seldsaame aart der velerlei steenen, dieren, menschen en duivelen;
de kracht en werking der
wateren en fonteinen; de groejing der mijnstoffen en metallen; de waare
en valsche goudsoekerye;
de kracht der zaden en zadelijkheid; 't voorkomen der ondieren, planten
en gewassen; de
nuttigheid der distilleerkunde en veel vermogende stofscheidinge, glasblasen
en allerhande konst
en handgrepen die tot vermaak an algemeene dienst der menschen door
arbeidsame geesten omtrent
alle geseide dingen konnen in 't werk gestelt worden. Uit het Latijn
vertaalt.
Publication: Amsterdam, Heirs of Joannes Janssonius van Waasberge, 1682.
Reference No: MU-RBL00031
Book Description
(20), 425, (11); (8), 415, (13) pp. Folio. 2 parts in 1 vol. Contemporary
calf over wooden
boards, spine ribbed and richly gilt with red title-label, red mottled
gilt edges, little leather
grips at outer margins for the easy finding of the various books and
with 2 nicely ciselled brass
clasps. Fine copy in a firm contemporary binding.
With richly engraved allegorical frontispiece including various instruments
of drawing, surveying
and measuring, large allegorical engraving on the first title including
all kinds of subterranean
natural phenomena and creatures, large armorial engraving to the dedication,
several tables in
text, over 200 woodcuts in text of geometrical and perspectival, geological
and geographical
figures and illustrations in text, including full-page woodcut plates
of distilling apparatus and
of man as microcosmos set within macrocosmos, 74 engraved maps and
illustrations in text, several
full-page, and 13 full-page or folding engraved maps and plates, including
maps of the moon, sun,
the subterranean waters, views of the volcanos Vesuvius and Etna, and
view of the machinery in a
saltmine-shaft, signed by Bonzon. De Backer-Sommervogel IV, 1061-2;
Honeyman Coll. 1823 (Latin
ed.); Poggendorff I, 1258-9; Caillet 5783 (idem); Ferguson I, p. 467:
"opponent of alchemy and
wrote against it" in: Mundus Subterraneus; Sabin 37967; DSB 7, pp.
374-8; cf. Kemp, The Science
of Art, p. 280-1, et passim. First Dutch edition of one of the major
scholarly works by the
famous German Jesuit, Athanasius Kircher (1602-1680). Born in Mainz,
Kircher was educated in
humanities, natural science, and the various disciplines of 17th century
mathematics. He also
studied hieroglyphics and observed the sunspots with a telescope of
his own invention before he
was appointed professor in philosophy and mathematics, as well as Hebrew
and Eastern languages at
the University of Würzburg in 1628. Here he also experimented
with medicine and chemistry and he
published his first major work Ars Magnesia in 1631, in which he invented
a method for measuring
magnetic power by means of a balance. But because of the 30-Year's
War Kircher fled with his best
pupil Caspar Scott to France were he was appointed professor at Avignon.
Here he met Hevelius and
Gassendi and corresponded with Schreiner. In 1633 he is appointed by
Ferdinand II as professor in
mathematics at Vienna, but after some shipwrecks he arrived by chance
in Rome and finds that he
was called there by Pope Urban VII. In Rome Kircher first worked independently
and in 1638 he is
appointed professor of mathematics at the College, where he lectured
for eight years. On the
whole Kircher devoted himself to independent studies in Rome for some
46 years until his death.
Rome was then the centre of a worldwide network of Jesuit missionaries
and others who reported on
their journeys. Kircher's studies covered practically all fields in
both humanities and sciences.
He wanted to comprehend as well as to disseminate all knowledge that
was at his disposal. Kircher
published some 44 books and left over 2,000 letters and manuscripts,
now in the Vatican Library.
Kircher published some richly illustrated compendia in various fields
which became very popular,
such as an encyclopedical work on music Musurgia Universalis, published
at Rome in 1650, and an
encyclopedic work on optics Ars Magna lucis et umbrae, published at
Rome in 1646, etc. He also
invented an instrument, the "pantometrum", capable of measuring practically
anything, which he
used for solving geometrical problems of measurement or perspective.
Kircher's scientific
instruments also served for the experiments and explorations described
in the present work. First
published in Latin as Mundus Subterranea at Amsterdam in 1665, the
work is a real encyclopedia
containing all mathematical and physical science, including cosmography,
chemistry, optics, etc.,
known at the time. It was partly based on Kircher's own experience
of an earthquake in Calabria
and visits to the volcanos of Italy and Sicily, and it became Kircher's
most popular book, often
translated as well. But the work also contained the most phantastic
speculations about things not
yet explained by science, like the idea of an ever burning lamp under
the ground, fed by the oil
springs Kircher discovered, or his believe in spontaneous creation
or magical animals, like
dragons. But even his strange phantasies and amusing experiments, fed
by an incredibly rich
imagination, greatly stimulated modern science. Kircher was active
in so many fields, which now
are divided in as many independent sciences, that all he wrote about
or experimented with is not
yet put to the test. Kircher was also the first to start the so-called
Cabinets, which became
very popular in the 18th century. His Cabinet of Natural History and
his Cabinet of Scientific
Instruments are for the greater part still preserved in the Vatican.
The present work is
furthermore very richly and interestingly illustrated with both woodcut
and engraved maps, views,
plates and illustrations of everything imaginable under the surface
of the earth, including a
perfectly explained and illustrated mathematical description of the
universe. |
. |